On June 27, 2016 Suné Woods was featured in the San Francisco Arts Quarterly, A Felling Like Chaos: in a review, by Lani Asher. “Using photo collage and a multi-channel video installation—flexible mediums that respond to and traverse the boundaries of genre, culture and history—her works are aesthetically framed as photographs. But they cast a wide cultural net woven of found imagery, wabi sabi (the beauty of things worn by being handled, things overlooked or thrown away), crazy quilts, poetry, art history, feminist art, eroticism, intimacy, violence, maps, colonialism, and the continuing war on black and brown bodies.” – by Lani Asher, San Francisco Arts Quarterly, 2016
SF Camerawork concluded “A Feeling Like Chaos”, the solo show of Suné Woods’, 2016 Baum Award for an Emerging American Photographer on June 25th, 2016. Her show received a positive review in the San Francisco Arts Quarterly. Suné Woods creates photographs, collage works and multi-channel video installations that employs a combination of appropriated and created imagery to address sociological phenomenon, imperialist mechanisms and formations of knowledge. Her work engages absences and vulnerabilities within cultural and social histories through the photographic image. She is interested in how language is emoted, guarded, and translated through the absence/presence of a physical body.
Cuba and USA Share Innovative Initiative on Marine Conservation in Havana on July 6th →